I suppose
many of you are surprised that my utter obsession with the Beatles has not yet
prompted me to write a blog post about them. But since today is the
thirty-third anniversary of John Lennon’s death, I think the moment is now.
On December
8, 1980, with a single gunshot, Mark David Chapman took the life of the man
whose willingness to experiment in the studio and enlightened, literarily aware
lyrics made him a giant on whose shoulders future recording artists would
indefinitely stand. His death was a supernova, a brilliant, explosive flash of
light, a star disappearing instantly into darkness forever…
Of all
Lennon songs, “Mind Games” is one of my favorites. I just love how its powerful,
electrically charged chords and weighty message of seeking true peace, love,
and enlightenment in lieu of human pettiness is juxtaposed with a funny, quirky
music video.
And like
pretty much anything if we put in enough effort, we can relate the lyrics of “Mind Games” to The Great Gatsby.
With his
ability to play others as well as hypnotize himself into believing certain
half-truths, Gatsby is a master of what Lennon describes as mind games.
Lennon
proclaims, “Yeah, we’re playing those mind games… projecting our images in
space and time,” which recalls how the poor farm boy James Gatz becomes a
platonic conception, the fabulously wealthy Jay Gatsby. With his craftiness, brilliant
ambition, and cool charisma, Gatsby is—as Lennon puts it—“pushing the barriers,
planting seeds” so that Nick will want to facilitate his affair with Daisy and
Daisy will see that he is powerful and wealthy, the man she (thinks) she
deserves.
But
Gatsby’s goal of claiming Daisy for his own is ultimately quenched and becomes
an impossible “search for the Grail” (Lennon), a quest for “the king’s daughter,
the golden girl,” “high in a white palace” (Fitzgerald 120) because he is not
truly in love with her.
Gatsby sees Daisy as merely an object to be
possessed, a fancy addition to the household with a voice “full of money”
(Fitzgerald 120). His false belief that he actually loves her pushes him to
“play mind games” with Tom Buchanan; Gatsby’s only goal is to triumph
psychologically over Buchanan by making Daisy say she never loved him.
Throughout
“Mind Games,” Lennon makes several allusions to Eastern and pagan religions because he wants us to seek spiritual enlightenment, “lift the veil” of the
illusions that others’ and our own mind games create, and push ourselves to
find true peace and love rather than the petty need to win over others in
worldly ways. If Gatsby really wanted true satisfaction with his life, he
should have followed Lennon’s advice to “make [true] love, not war [against
Tom].” If he weren't so focused on winning wealth that didn’t matter to him and learned to “surrender” and “let
it go,” perhaps Gatsby could have discovered enlightenment
and the “love [that] is a flower” and not ended up dead in a pool he never
used (Lennon).
Lyrics: http://www.azlyrics.com/lyrics/johnlennon/mindgames.html
Music video: http://www.youtube.com/watch?v=8dHUfy_YBps
Lyrics: http://www.azlyrics.com/lyrics/johnlennon/mindgames.html
It's interesting how, while pretty much everyone views wealth as (to use a chemistry term) a state function, Gatsby wants clean money. No matter how much money he acquires through illicit means, he can't fulfill his dreams of being truly rich. It's also funny how Gatsby views Daisy as a representation of wealth, and when he finally gets her again, he realizes that she is....a representation.
ReplyDeleteThat itself is worth noting because the story implies that if only Gastby could get Daisy, he'd be satisfied, and he finds that when he does get her, he's not.